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Impressions
If this is what Punk sounds like in
Latvia, I need to get myself on the next plane over there, because
GHOST is astounding, and not at all what I expected going in. For one
thing, there are no truly discernible lyrics (there are muffled
screams buried in the feedback and thunder of 'T' for what it's
worth). Not that punk requires them mind you, but most punk records
I've listened to since joining wasfuersohr have all tended to fall
into a small number of categories, and none of them sound even
remotely like this. At least, I've never been to a mall food court
that would play this, intentionally. It's not about fart and dick
jokes or bringing down the man (at least not outwardly). No, this is,
in my humble (Ha!) opinion, punk music that is best experienced with
a pair of headphones because it will drawn you in and smother you, in
the best possible way I can make that sound. I put it on at work, and
it was like the outside world ceased at my headphones. I had gotten
to 'S' without even realizing it (and yes still got work done) and
had adrenaline running through me. It's heavy without being numbing,
and atmospheric without being depressing and dreary. It's got a low
end you can feel in your chest (YMMV, depending on
speakers/headphones, mind). It comes at you hard, and pummels you
just long enough to know when to pull back and let things relax –
in so far as one may find drone relaxing (I obviously, do). The more
astute among you will realize I haven't really described the
instrumentation very much. You get a cookie. I wouldn't help
G-H-O-S-T by picking things apart too much, this is a record that one
will get the most out of by just turning it on and listening to it.
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